The Show Has Closed.

The heads have been bowed, and the knees have been bent for the last time…

Congrats to everyone for closing a remarkable show. Just so you know tons of people left singing your praises every night and children ran out of the theatre screaming “Ap, ti, AP TI” as if they were little gorehs. You all did a fabulous job and should be incredibly proud of yourselves.

Mahalo and terima kasih for the journey, my friends.

Tapuak Workshop!

There will be an exciting and fun tapuak workshop held by our own Dr. Kirstin Pauka.

When: Monday, February 13th from 5:00-6:00pm
Where: Kennedy Theatre

Wear comfortable clothes but no jeans please. Randai pants will be provided for you to wear over your clothing. No experience necessary!

Questions?
Contact Jasmine Yep at ktyouth@hawaii.edu or (808) 956-2519

Oh, any by the way… THIS EVENT IS FREE!
Although, donations are always encouraged and appreciated. Mahalo.

History of Randai at UHM

We are halfway through shows of this wonderful production of The Genteel Sabai. Does it have you reminiscing about all the good times you had working on the show yet? Have you started to wonder about the history of randai at UHM? Well lucky for y’all here is a run down of the three wonderful randai performances that have graced the Kennedy Theatre stage.

The first Randai production at UHM was during the 2000-2001 season. In February of 2001 Dr. Kirstin Pauka brought randai to Kennedy Theatre’s mainstage. Two master teachers from Western Sumatra were also  brought in — a man you should all be familiar with — Musra Dahrizal and Hasanawi, a former child prodigy specializing in Indonesian music– for a six-month program training program. This first production was titled Umbuik Mudo & the Magic Flute. Umbuik, a young man, spends several years becoming skilled in silat, but loses an important match to a rival, Pendeka Capek, when he is distracted by the beauty of a young woman named Puti Galang. He’s smitten but she rudely dismisses him as unworthy of her love. Umbuik’s mother goes into the jungle to find the perfect piece of bamboo to create a magic flute that Umbuik then uses to bewitch Puti.

Umbuik Mudo & The Magic Flute
Feb 2 – 11, 2001

See anyone familiar?

The next randai production was during the 2004-2005 season at Kennedy Theatre. This production was Luck and Loss: Manandin’s Gamble. Master-teachers Mohamad Halim, an internationally renowned master of traditional Minangkabau musc, and Saparman Bin Jamaludin, master-teacher of randai dance, acting, and silat, were brought in for the six-month training program. Luck and Loss is a story of Magek Manandin. He leaves his village and his fiancee to attend a galanggang festival in the kingdom of Singkarak planned by King Duo Baleh. While there he begins to gamble. At first he gambles with great success. However with most gambling stories he eventually loses. To make matters worse Magek Manandin also gets framed for stealing a buffalo. Manandin finds himself if a great deal of trouble with King Duo Baleh. Manandin’s uncle, the king of Sandiang Baka, learns of his plight but ignores his frantic protestations of innocence and tells the authorities to make the punishment harsher. Eventually Manandin escape and returns to his fiancee. He then later challendes Duo Baleh to regain his honor. You can even see this whole production here on youtube if you desire.

Luck and Loss: Manandin’s Gamble
Jan 28 – Feb 6, 2005

Luck and Loss


Any guesses as to the third fabulous randai production to hit Kennedy Theatre? That’s right it’s The Genteel Sabai. With master-teachers Musra Dahrizal and Jasrial Jamaluddin. The story in this randai, as most of you hopefully know, is of Sabai nan Haluih. Sabai is a genteel and beautiful young woman. One day she catches the eye of King Rajo nan Panjang. Panjang becomes obsessed and full of desire for Sabai and orders his servant Palimo to prepare an engagement proposal to her family. Palimo delivers the proposal to Sabai’s mother and father. However, Sabai is already engaged to another man and Panjang’s request is firmly rejected. Outraged, Panjang plots revenge against Sabai and her family. He sends for Babandiang to visit his him explain the rejection of his engagement proposal. When Babandiang arrives Panjang confronts him and challenges him to a battle. During the battle Babandiang is mortally wounded and left to die. Sabai arrives at Babandiang’s side as he lies dying and comforts him in his last moments. Panjang then ambushes Sabai and attempts, unsuccessfully, to woo her. Sabai defends herself against Panjang’s advances and fights him in a final showdown.

The Genteel Sabai
Feb 3 – 12, 2012

So genteel!

And what’s next for randai and UHM? We don’t know yet… but let’s hope it is many, many more years of randai on the mainstage of Kennedy Theatre. And hey, maybe Pak Katik will be back for a third randai?

Why the name ‘Minangkabau’?

Where did the name Minangkabau come from? Well, legends say that the name of these West Sumatran people is tied to their fondness of the water buffalo and came from a story of one particular, victorious buffalo. The story begins with an invading army tromping it’s way into West Sumatra and demanding submission to its power. The locals suggested to the opposing powers that, instead of suffering through a long and painful war, the two sides should have a buffalo fight and the victor of that battle would be considered the winner of the war. The invading army agreed to these terms. On the day of the buffalo battle the invading army showed up with an absolutely massive bull to fight for their side. While the locals showed up with only a tiny calf. What the invading army did not know was that the local peoples had starved the small calf for days and also sharpened its horns to dangerous points. When the battle began the starved and confused calf ran towards the bull thinking it was a female and tried to eat. The sharpened horns of the calf ripped open the massive bull and the locals, the Minangkabau, were named after this victorious (menang) buffalo (kerbau).

Who wants this adorable thing running under their belly with sharpened horns? Any takers? Anyone? Bueller?